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    • SONY AXS-CR1 MEMORY CARD READER

      SONY AXS-CR1 MEMORY CARD READER

      With USB 3.0 interface for easy read-only access
      The affordable AXS-CR1 AXS media reader makes it easy to input 4K RAW and 2K RAW files at high speed on to a PC/Mac with a USB 3.0 interface. Users can transfer 4K RAW data recorded at up to 60 fps and 2K RAW at up to 240 fps.

      View RAW files on PC/Mac

      Once on a PC, the RAW files can be screened using Sony’s free RAW Viewer software. The AXS-CR1 is designed to read sleek, high capacity AXSM™ memory cards as used by the AXS-R5 recorder working with PMW-F55 and PMW-F5 camcorders.

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    • Form Glass 4×5.65 ND.03 Grad soft edge

      Form Glass 4×5.65 ND.03 Grad soft edge

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    • Anton Bauer Titon SL 150 W V-mount battery

      Anton Bauer Titon SL 150 W V-mount battery

      The sleek profile and light weight of Titon SL makes it the essential choice for fast-paced content creators where agility is critical, and space is premium. Titon SL provides the slimmest, lightest and most powerful solution to run monitors and more, seamlessly integrating into your equipment without extra weight or bulk allowing you to stay agile and keep your story moving.

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    • SONY AXS- R7 PORTABLE RECORDER

      SONY AXS- R7 PORTABLE RECORDER

      4K RAW / X-OCN recording at 120 fps* and cache recording speeds up 4K production workflow
      The durable, dust and splash-proof AXS-R7 Portable Memory Recorder attaches seamlessly to the high end F55 and F5 CineAlta cameras, speeding up the 4K production workflow without compromising quality. The AXS-R7 doubles 4K RAW recording from 60 fps up to 120 fps for the F55 camera compared to previous Sony recorders. For shooting at higher frame rates, the recorder captures 2K RAW at up to 240 fps for the F55 and F5, for playback with 10x super slow motion. Working with high-speed AXSM™ A Series memory cards, the recorder features dual memory card slots for extra security and to extend recording times. The recorder also offers 4K RAW cache recordings up to 30 seconds while in standby mode. The tough, all-metal casing makes the AXS-R7 the ideal companion to the F55 and F5 for all kinds of high-end drama, documentary and wildlife productions.

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    • Sony AXS Memory Media 512GB

      Sony AXS Memory Media 512GB

      The AXS-A512S24 AXS Memory (AXSM™) A Series card is designed for high-capacity and high-speed data storage, suitable for 4K and 2K 16-bit linear RAW video formats. It supports High Frame Rate (HFR) recording up to 240fps in 2K resolution.
      This card offers a storage capacity of 512 GB and a write speed of 2.4 Gbps, ensuring reliable performance for demanding video tasks. It is compatible with the AXS-R5 2K / 4K RAW recorder and can be used with the AXS-CR1 USB 3.0 AXS Memory card reader via an AXS Memory card adapter.

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    • SONY DVF-EL200 FULL HD OLED VIEWFINDER

      SONY DVF-EL200 FULL HD OLED VIEWFINDER

      The DVF-EL200 is a Full HD OLED viewfinder designed for the CineAlta cameras PMW-F55 and PMW-F5, featuring a compact 0.7-inch screen with a 1920 x 1080 resolution. This viewfinder stands out with its exceptional brightness, approximately 200 cd/m2, making it about twice as bright as its predecessor, the DVF-EL100. The latest OLED technology enhances the operator’s focus and framing accuracy.
      Additionally, the DVF-EL200 is built for durability and user-friendliness, with upgrades including an improved eye distance sensor, rotary encoders for easy adjustment of brightness, contrast, and peaking, a more substantial dioptre ring, a sturdy LEMO connector, and a quick-release mechanism for easy detachment from the camera.

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    • WOODEN CAMERA SOLID BASEPLATE

      WOODEN CAMERA SOLID BASEPLATE

      The Wooden Camera Solid Baseplate, compatible with Sony Venice, F55, and F5 cameras, is a stationary baseplate offering support for lightweight 15mm rods at the proper lens height and features ARRI standard rosettes on both sides. This baseplate is designed with the precise thickness needed to align the camera at the appropriate lens height when used with ARRI standard bridge plates, including the Unified Bridgeplate (19mm) and 15mm Studio.

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    • WOODEN CAMERA A-BOX

      WOODEN CAMERA A-BOX

      The Wooden Camera A-Box is designed to connect two XLR microphones to various RED cameras including the KOMODO, DSMC2 models (Monstro, Helium, Gemini), Weapon, Epic Weapon (Epic-W), Scarlet Weapon (Scarlet-W), Raven, and other DSMC3 cameras when used with the Base Expander Module. It’s also suitable for any camera with a single 3.5mm (1/8″) input, featuring high-quality, professional-grade connectors.

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    • Wooden Camera Safety Dovetail 12″

      Wooden Camera Safety Dovetail 12″

      The Wooden Camera Safety Dovetail 12″ is an ARRI standard dovetail featuring a 12-inch length and a safety catch at one end to avoid unintended camera detachment. It includes multiple threaded 1/4-20 and 3/8-16 holes for mounting accessories and attaching to tripods.
      This dovetail is ideal for creating custom handheld setups with a Shoulder Pad and is compatible with various brands including Manfrotto, Miller, Cartoni, and others.

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    • WOODEN CAMERA UMB-1 EXTRA STAGE SET

      WOODEN CAMERA UMB-1 EXTRA STAGE SET

      The Wooden Camera UMB-1 Extra Stage Set is an expansion kit for the Universal Mattebox, enabling a conversion to a three-stage setup. The set comes with a filter tray catcher, rotation lock, filter lock, and a 4×5.65 filter frame, while also accommodating 4×4 filter sizes. This addition enhances the versatility of the Universal Mattebox for various filming requirements.

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    • WOODEN CAMERA UNIFIED BASEPLATE 19MM

      WOODEN CAMERA UNIFIED BASEPLATE 19MM

      The Wooden Camera Unified Bridgeplate (19mm) is a versatile ARRI standard bridge plate featuring 19mm studio rods, spaced 104mm apart. Its innovative design allows for easy conversion between RED® and ARRI standard heights, ensuring compatibility with various camera rigs. The bridgeplate has a rubberized top coating to prevent camera twisting and a slotted base to fit non-standard screw spacings.
      It’s ideal for achieving the correct rod height when paired with Unified Baseplates for different camera types.

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    • WOODEN CAMERA D-BOX FOR VENICE

      WOODEN CAMERA D-BOX FOR VENICE

      The D-Box™ (Sony Venice, Venice 2, V-Mount) is a specialized version of the D-Box™, designed to enhance the Sony Venice and Venice 2 cameras with advanced power distribution, standardized remote start/stop, and hot swap capabilities. The main unit of the D-Box™ attaches to the AXS-R7’s back or the camera’s V-Mount plate, while the Power Strip section mounts on the camera’s top right side using a 3pin Fischer and the tape hook threaded hole.

      The D-Box™ Power Strip’s connectors are shaped to match the camera’s profile and connector angle, ensuring seamless cable installation without interference. This module integrates with the camera, allowing any ARRI standard start/stop trigger to be used via the 3pin Fischer port, including devices like the ARRI UMC-4 / WCU-4. Its DC input, compatible with the camera’s 4pin XLR connector, allows connection to an AC power supply, external power plate, or VCLX block battery, powering both accessories and the camera during battery swaps. When using both battery and DC input, the D-Box™ prioritizes the DC input, keeping the onboard battery fully charged.

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