CAMERAS & LENSES

  • Wooden Camera Safety Dovetail 12″

    Wooden Camera Safety Dovetail 12″

    The Wooden Camera Safety Dovetail 12″ is an ARRI standard dovetail featuring a 12-inch length and a safety catch at one end to avoid unintended camera detachment. It includes multiple threaded 1/4-20 and 3/8-16 holes for mounting accessories and attaching to tripods.
    This dovetail is ideal for creating custom handheld setups with a Shoulder Pad and is compatible with various brands including Manfrotto, Miller, Cartoni, and others.

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  • WOODEN CAMERA UMB-1 EXTRA STAGE SET

    WOODEN CAMERA UMB-1 EXTRA STAGE SET

    The Wooden Camera UMB-1 Extra Stage Set is an expansion kit for the Universal Mattebox, enabling a conversion to a three-stage setup. The set comes with a filter tray catcher, rotation lock, filter lock, and a 4×5.65 filter frame, while also accommodating 4×4 filter sizes. This addition enhances the versatility of the Universal Mattebox for various filming requirements.

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  • WOODEN CAMERA UNIFIED BASEPLATE 19MM

    WOODEN CAMERA UNIFIED BASEPLATE 19MM

    The Wooden Camera Unified Bridgeplate (19mm) is a versatile ARRI standard bridge plate featuring 19mm studio rods, spaced 104mm apart. Its innovative design allows for easy conversion between RED® and ARRI standard heights, ensuring compatibility with various camera rigs. The bridgeplate has a rubberized top coating to prevent camera twisting and a slotted base to fit non-standard screw spacings.
    It’s ideal for achieving the correct rod height when paired with Unified Baseplates for different camera types.

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  • WOODEN CAMERA D-BOX FOR VENICE

    WOODEN CAMERA D-BOX FOR VENICE

    The D-Box™ (Sony Venice, Venice 2, V-Mount) is a specialized version of the D-Box™, designed to enhance the Sony Venice and Venice 2 cameras with advanced power distribution, standardized remote start/stop, and hot swap capabilities. The main unit of the D-Box™ attaches to the AXS-R7’s back or the camera’s V-Mount plate, while the Power Strip section mounts on the camera’s top right side using a 3pin Fischer and the tape hook threaded hole.

    The D-Box™ Power Strip’s connectors are shaped to match the camera’s profile and connector angle, ensuring seamless cable installation without interference. This module integrates with the camera, allowing any ARRI standard start/stop trigger to be used via the 3pin Fischer port, including devices like the ARRI UMC-4 / WCU-4. Its DC input, compatible with the camera’s 4pin XLR connector, allows connection to an AC power supply, external power plate, or VCLX block battery, powering both accessories and the camera during battery swaps. When using both battery and DC input, the D-Box™ prioritizes the DC input, keeping the onboard battery fully charged.

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  • WOODEN CAMERA TOP FLAG FOR UMB-1 universal Matte Box

    WOODEN CAMERA TOP FLAG FOR UMB-1 universal Matte Box

    The Wooden Camera Top Flag is a replacement part for the UMB-1 Universal Matte Box, designed to replace the folding French flag that comes standard with all UMB-1 kits. This top flag is primarily used to block unwanted light, helping to prevent lens flare and control light spill in various shooting environments. Its foldable design allows for easy storage and transport, and it attaches directly to the top of the UMB-1 Matte Box for straightforward, practical use in both outdoor and studio settings.

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  • WOODEN CAMERA UMB-1 UNIVERSAL MATTEBOX CLAMP ON

    WOODEN CAMERA UMB-1 UNIVERSAL MATTEBOX CLAMP ON

    The Wooden Camera UMB-1 Universal Mattebox Clamp On is a versatile and adaptable matte box designed for professional film and video applications. It features two rotating 4×5.65 filter stages, with the option to add a third stage, and individual tray catchers for each stage. The matte box comes with a folding French flag to control light spill and reduce lens flare. It has a native diameter opening of 143mm, making it suitable for a wide range of lenses.

    Additionally, the UMB-1 is equipped with NATO standard accessory rails on the left, right, and top sides, allowing for easy attachment of various accessories. The matte box also includes a complete set of clamp-on reduction rings to ensure compatibility with different lens diameters.

    Designed with flexibility in mind, the UMB-1 can be quickly and easily transitioned from a clamp-on setup to a swing-away configuration, or to an ultralight mode for use with stabilizers. This adaptability makes it an ideal choice for various shooting scenarios, from studio productions to on-location shoots.

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  • SONY VENICE 6K FULL FRAME CAMERA

    SONY VENICE 6K FULL FRAME CAMERA

    The Sony Venice 6K Full Frame Camera is a state-of-the-art digital cinema camera that stands out in the realm of high-end filmmaking. It features a full-frame sensor, offering exceptional image quality with a resolution of 6K. This sensor provides an ultra-wide color space, capturing rich and nuanced images that are ideal for high-end productions. The camera’s full-frame design allows for greater flexibility in lens choice and depth-of-field control, making it suitable for a wide range of cinematic applications.

    One of the key features of the Sony Venice is its high-speed sensor read-out, which significantly reduces the ‘jello’ effect commonly seen in fast-moving subjects. This makes it particularly effective for shooting action scenes or any content involving rapid movement. Additionally, the camera is equipped with an 8-step internal ND (Neutral Density) filter system, allowing for precise exposure control even in varying lighting conditions.

    The Sony Venice is also well-suited for Virtual Production, thanks to its high-speed read-out that synchronizes seamlessly with LED walls, a crucial aspect of modern virtual sets. This synchronization capability, combined with the camera’s impressive color rendition and resolution, makes it a top choice for filmmakers looking to explore the cutting edge of digital cinematography.

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  • 8 Inch Camera Rails

    8 Inch Camera Rails

    These 8 8-inch camera rails are a fundamental component for any camera rigging system, designed to enhance the functionality and flexibility of a filmmaker’s setup. These rails are primarily utilized in conjunction with a camera riser system and are essential for attaching various filmmaking accessories. They are compatible with equipment such as matte boxes, follow focus units, lens supports, and other essential camera accessories.

    Constructed from 601 aluminum alloy, these camera rails are not only lightweight but also exceptionally sturdy and durable. The precision of CNC processing ensures that these rails are well-finished and accurate in dimensions, providing a reliable and secure fit for all compatible accessories. Their robust construction makes them suitable for both studio and on-location use, ensuring they can withstand the demands of professional filmmaking environments. The 8-inch length of these rails makes them particularly versatile, ideal for compact setups or when space is limited.

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  • 10 Inch Camera Rails

    10 Inch Camera Rails

    These 10-inch camera rails are a fundamental component for any camera rigging system, designed to enhance the functionality and flexibility of a filmmaker’s setup. These rails are primarily utilized in conjunction with a camera riser system and are essential for attaching various filmmaking accessories. They are compatible with equipment such as matte boxes, follow focus units, lens supports, and other essential camera accessories.

    Constructed from 601 aluminum alloy, these camera rails are not only lightweight but also exceptionally sturdy and durable. The precision of CNC processing ensures that these rails are well-finished and accurate in dimensions, providing a reliable and secure fit for all compatible accessories. Their robust construction makes them suitable for both studio and on-location use, ensuring they can withstand the demands of professional filmmaking environments. The 10-inch length of these rails makes them particularly versatile, ideal for compact setups or when space is limited.

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  • 18 Inch Camera Rails

    18 Inch Camera Rails

    These 10-inch camera rails are a fundamental component for any camera rigging system, designed to enhance the functionality and flexibility of a filmmaker’s setup. These rails are primarily utilized in conjunction with a camera riser system and are essential for attaching various filmmaking accessories. They are compatible with equipment such as matte boxes, follow focus units, lens supports, and other essential camera accessories.

    Constructed from 601 aluminum alloy, these camera rails are not only lightweight but also exceptionally sturdy and durable. The precision of CNC processing ensures that these rails are well-finished and accurate in dimensions, providing a reliable and secure fit for all compatible accessories. Their robust construction makes them suitable for both studio and on-location use, ensuring they can withstand the demands of professional filmmaking environments. The 10-inch length of these rails makes them particularly versatile, ideal for compact setups or when space is limited.

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  • SHAPE MATTE BOX

    SHAPE MATTE BOX

    The SHAPE Matte Box is a versatile and robust tool for filmmakers, featuring a unique combination of a silicone matte box mounted on a CNC aluminum main frame. This design ensures both durability and flexibility, with the matte box accommodating lenses with an outer diameter of up to 124 mm. This wide diameter makes it suitable for a broad range of wide-angle lenses, providing an expansive field of view essential for various shooting scenarios.

    The matte box includes two 4×5.6 filter trays, one of which is rotary, allowing for dynamic filter effects. These trays are equipped with easy-access handles, enabling quick and effortless one-handed filter changes, a crucial feature in fast-paced shooting environments. Additionally, 4×4 filters can also be accommodated in these trays, adding to the matte box’s versatility. A thoughtful design feature includes two stops at the bottom of the filter trays section, which serve to prevent filters from accidentally slipping through during adjustments or movements.

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  • SIGMA 105MM EF Mount T 1.5

    SIGMA 105MM EF Mount T 1.5

    The Sigma 105mm T1.5 FF is a high-speed prime lens designed for EF mount cameras, suitable for full-frame sensor coverage and supporting 6-8K resolution filming. This lens features a T1.5 aperture, providing good performance in low-light conditions and depth of field control. It’s a mid-range focal length lens in Sigma’s cine series, also available in Sony E and PL mounts. The lens has a practical 95mm front diameter, which is consistent across Sigma’s cine lens series, facilitating quicker and easier attachment of lens accessories like matte boxes and follow focuses.

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